122. Ryan Adams - Heartbreaker (2000)

There can hardly be a more disappointing career in the decade than that of Ryan Adams, a country singer who started out by recording one of the best debut albums in the history of the genre and followed it up with album after album of second-rate, whatever-pops-into-his-head stuff. That shouldn't take away from the greatness of this one, though; what's best about this is how well Adams is able to get away with reconciling the two sides of the "country outlaw" character: the wild outlaw and the sensitive outlaw. There are far more ballads on this album than uptempo numbers, certainly, but those that are here are so powerful they come close to redeeming the entire genre. "To Be Young (Is To Be Sad, Is To Be High)" is certainly one of the greatest country stompers ever written or performed by anyone, a monstrous explosion of excitement that seems connected by lightning directly to the greatest folk performers of the 20s and 30s--Uncle Dave Macon, Dock Boggs. The ballads are no less good--the only one of them that approaches generic is "Oh My Sweet Carolina", and Adams saves it with his stunning arrangement and vocal performance. The songwriting is impeccable, the lyrics fantastic, the highlights so many it's easier to list the songs that aren't than those that are--this is a classic. I fully believe that.

MY RATING: 9.5

Ryan Adams - "Bartering Lines"

141. Neko Case - Blacklisted (2002)

This album has the unfortunate luck of belonging to a genre I can't much get into--that of the countryish singer-songwriter. There are exceptions (once of which comes later in this list) but mostly I think this type of music suffers from being so strung to a particular instrumental style that there isn't much room for interest or innovation. Blues has a similar problem, but it seems to me that attempts to experiment with it have met with a lot more success than country. Basically this album just passes me by; it's fine enough while it's one but when it's over I can't remember a thing about it. Case has a great voice, but I already knew that from her work with the New Pornographers, and while the thing with them was that her voice wasn't required to carry much emotional weight aside from its tone (which in many tracks was just wordless backing) here it has to do almost all the work, and it's not up to it. I suppose it's not fair to trash a country record for not being ambitious enough, but this in addition to not being ambitious isn't even very memorable, which might be a more damaging quality. The whole thing is too shiny, too produced: what helps similar singer-songwriters like Jason Molina and Will Oldham is that their production styles are simple, while this takes too many cues from horrific "modern country". Not my kind of thing, I guess.

MY RATING: 3.9

Neko Case - "Deep Red Bells"