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Thursday, February 17, 2011

92. Björk - Vespertine (2001)

I really, really wanted to like this album. Post and Homogenic are both masterpieces, but the key to their greatness was that they combined Bjork's persona with understandable song structures and melodies. When Bjork abandons this, the results are unlistenable (Medulla). She's just not suited for experimental music--the worst of it seems like a less good Yoko Ono, terrible vocal experiments layered over uninspiring backdrops. This album isn't nearly as bad as Medulla but you can sense Bjork moving in that direction--most of the songs are "atmospheric"-ish little poetic experiments that become tiring over the album's nearly hour-long length. The only tracks that really work are the opening "Hidden World", with its hypnotizing vocal backing and lovely closing track "Unison". The rest is just frighteningly unmemorable and disappointing--what happened to the mid-album ass-kicking of "It's Oh So Quiet" and "Enjoy"? The gorgeous string arrangements on "Joga" and "Bachelorette"? There's nothing on this record that even approaches the ambition and power of what Bjork's already achieved. It's Bjork-lite.


MY RATING: 4.4

Bjork - "Pagan Poetry"

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